Bachovich Music Publications
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Duet - Multi-Percussion
- $20 - # 0773 - Ceballos, Tizoc: Ollin for multi-percussion duo [7:30 min.] (includes 2 parts and score) (Ironworks 2nd place Winner 2009)
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Modern computers possess amazing capacities. Simply by manipulating flows of zeroes - and ones that they can perform in a fraction of a second - these computational tasks would taken humans countless years. In this piece, I imagine and try to capture what goes on within a computer when it is unzipping a file. Mvt. 1 Video |
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(Ironworks Percussion Duo 2nd place Winner 2010)
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In mathematics, Pascal's triangle is used to determine coefficients when expanding binomial equations. The triangle is infinitely long, and each row of numbers can be easily determined based on the row above it. The sequence of the numbers, from left to right and top to bottom, is the point of rhythmic modulation in each of the two voices. The performers face each other while both play on two bongos and three tom-toms. Interlocking patterns comprise this short work for membranophones that will test the performers' abilities to execute rhythms with precision and clarity. |
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I've always been interested in word games, puzzles, symmetry and palindromes. After my freshman year at school, I decided to explore the idea of writing a piece that would flip directly at the center and then play itself backwards. Not knowing this had been done before and on a vastly more complex scale, I soon realized that the idea would never make for a "fun" piece to play, which was always the priority since I was writing the piece for an otherwise difficult percussion recital given by a friend. So I wrote it freely, deciding to simply explore this palindromic idea in different ways instead of letting it govern the entire work. Thus the piece has no predetermined form, rather an episodic feeling with short motives and longer ideas returning and developing. Sometimes a palindrome takes up only one bar, whereas much longer sections will appear flipped. The drum set feeling is evident in the choice of instruments, and the enjoyment in performance comes from the balance of unison playing, solo features, and tight hocketed interplay. |
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